As a writer, I'd consider my biggest weakness to be fight scenes, and
I know I'm not the only one. It's one of the reasons I like to write
scripts and screenplays, where you can describe the fight itself in a
couple of lines, and leave the detailed scuffle up to the storyboard
artists, directors and cinematographers as and when it's needed.
However, as I write short stories and novels, too, it is a necessary
part of what I do. So this post is a bit of a brief how to, for myself
and other writers out there who struggle with this.
First
of all, the basics of sentence structure. This is vital. Short, sharp
sentences give the immediate feel of every impact, whereas longer,
bloated sentences will drag out the action. At best, sentence structure
will serve to enhance a fight scene, but at worst, it will confuse and
disorient the reader.
Research is a must. To make your
universe credible, it must follow it's own internal logic. If swords are
used, research different types of swords and the styles of combat they
are used in. If a character has trained with a specific type of weapon,
improvising with a different weapon will put them at a disadvantage. If
they have sustained injuries, that will also impact the fight. If magic
is a force, what are the rules around it and how easy/difficult is it to
wield in a combat situation?
A tavern brawl will be
very different to a duel. The brawl will be chaotic, people are unlikely
to be seasoned fighters, there will be little to no concept of 'fair'
fighting. People might not know the initial cause, but stuck in the
middle of the fray, they have no choice to fight back to escape or
survive. In a duel, the fight will likely be more organised, with a form
of judge ensuring some form of rules. The stakes will be more personal,
and more complex than simply 'fighting to survive'.
Every
fight should feel unique and different. You wouldn't repeat the same
section of dialogue for no reason, so why should you write the same type
of fight scene twice? What would be the point?
Different
characters will respond differently to battle. The character who is
willing to survive at any cost would have no qualms taking the easiest
route out of a fight, even if that is to avoid it completely. The
character who values personal honour over pragmatism may rush into
ridiculous situations without really considering the outcome of their
actions.
Do not disorient the reader. Fight scenes
can easily become a blur and make it difficult to work out what exactly
is going on. Many readers will skip them if they become too challenging
to follow. Make sure that the fight is easy to read.
Alternatively,
consider deliberately making it disorienting. Battle can be
overwhelming, especially if the characters aren't trained for combat.
Reflect that in the characters. Make them confused. What are the
consequences? Injury? Losing a character or important item behind in the
chaos?
Above all, practise. If you are aware that
fight scenes are a weakness for you, go out of your way to write a few
fight scenes. Writing, like any art, is a craft you hone over time and
hours of practise. There's no shame in admitting that this element of
your craft needs more work.
A few extra resources for additional reading:
Vary your sentence length to make your writing more interesting:
A good primer on how and why to vary sentence length with some specific
examples in both text and audio, talking about the musicality of the
written word.
Here's how to write a damn good fight scene: More about the specifics of language used in a fight scene and specific techniques to try out.
Writing Fight Scenes:
Specifically for fantasy writers, and covers a little bit of
everything, including suspense and build-up before the fight has truly
begun and how to develop characters through fight scenes.
5 Essential Tips for Writing Killer Fight Scenes:
More about the motivations behind specific fight scenes - understanding
why they are (or aren't!) necessary for your plot is the first step to
tackling them.
No comments:
Post a Comment